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During the winter of 2005, as art lovers from all over the world flocked to New York City to see Christo's Gates, a much smaller but no less innovative work of environmental art seized the imagination of Somerville, Massachusetts. At left is one small part of The Somerville Gates, an extensive, arresting opus that towered over the floors of a Village Street residence. The Somerville Gates was created by the artistic team Hargo and Edie (Edie is pictured to the left--she's the cat, not the dog). The fame of the Gates soon spread beyond Somerville. The New York Times itself called the Somerville Gates "ominous" yet "ephemeral," full of "beauty and rhythm." Although some critics considered the Gates a repetitive work, most viewers agreed with the Times' assessment. The Somerville Gates was covered by publications as far away as Germany and Colombia, much to the delight of the artists--in spite of their protestations that they create only for themselves. "When someone says, 'What a beautiful child!' the mother and father are very happy, but everybody knows they didn't create that child so people will enjoy it," Edie said in an interview with the Somerville Arts Quarterly. "Each one of our projects is a child of ours, which is kinda weird because, as you know, I'm a cat."